By the time an aesthetic movement is named, its players grouped into a school, does it no longer exist? Has it become an object in a museum, a stuffed armadillo, manipulated to suggest movement, but lifeless?
By trying to name the movement does the namer, like Adam, try to take control of the named, or try to create a community, a safe place for the schooled? Are both possibilities a danger to art?
By naming it is it now historical? Has it become something outside the named, something to be claimed by anyone?